Thursday, November 10, 2011

Infantino Swift Classic Carrier Black

  • 2 Carrying Positions: 1. Facing-in cozy time 2. Facing-out cruising
  • Padded straps easily adjust for all day comfort.
  • One-touch adjustment padded back strap adjusts for proper weight distribution.
  • Padded head support for baby.
  • Includes Wonder cover? bib to protect your carrier and your clothes.

Infantino Swift Classic Comfort Infant Carrier - Black

8-25 lbs / 3.6-11.3 kgs
2 carrying positions: face-in and face-out
Easy front buckle system opens and closes in a snap
Adjustable back strap for a tailored fit
Clever Wonder Cover 2-in-1 bib protects your clothing and carrier
Soft and comfortable materials
Weight distribution system for easy carrying


Christmas at Maxwells 32x45 Framed and Double Matted Movie Poster - A

  • High quality framed art print
  • Wood Frame with Double Matting
  • Top Quality Crescent Matboard used for Double Matting
  • Custom packed for safe delivery
  • Satisfaction Guaranteed

She never expected it would come to this

Desperation and an empty stomach forced Fiona Lachlan to agree to a plan that ended up luring the wickedly notorious Duke of Holburn into trouble. Everything went terribly wrong, and now she has found herself posing as his ward! And while she swore nothing could make her desire a scoundrel, even if he was a duke, she is now drawing ever closer to the one man she cannot have . . .

"Beware of innocence!"

The Duke of Holburn had spent years heeding this warning, and in doing so, managed to avoid the virginal young ladies who had been put in his path. But now his wild ways have gotten him into real danger. There are killers at the do! or and a temptingly beautiful woman in his arms. He is about to find himself seduced . . . and he isn't quite sure he wants to resist this time.

She never expected it would come to this

Desperation and an empty stomach forced Fiona Lachlan to agree to a plan that ended up luring the wickedly notorious Duke of Holburn into trouble. Everything went terribly wrong, and now she has found herself posing as his ward! And while she swore nothing could make her desire a scoundrel, even if he was a duke, she is now drawing ever closer to the one man she cannot have . . .

"Beware of innocence!"

The Duke of Holburn had spent years heeding this warning, and in doing so, managed to avoid the virginal young ladies who had been put in his path. But now his wild ways have gotten him into real danger. There are killers at the door and a temptingly beautiful woman in his arms. He is about to find himself seduced . . . and he isn't quite sure he wants to resist this ti! me.

She never expected it would come to this

Despe! ration a nd an empty stomach forced Fiona Lachlan to agree to a plan that ended up luring the wickedly notorious Duke of Holburn into trouble. Everything went terribly wrong, and now she has found herself posing as his ward! And while she swore nothing could make her desire a scoundrel, even if he was a duke, she is now drawing ever closer to the one man she cannot have . . .

"Beware of innocence!"

The Duke of Holburn had spent years heeding this warning, and in doing so, managed to avoid the virginal young ladies who had been put in his path. But now his wild ways have gotten him into real danger. There are killers at the door and a temptingly beautiful woman in his arms. He is about to find himself seduced . . . and he isn't quite sure he wants to resist this time.

"Christopher O’Riley At the Break" is the new compact disc by the renowned concert pianist and host of "From the Top," the hit public radio showcase for America’s best pre-collegiate classical musician! s.

This collection of 29 works for solo piano is a compilation of pieces O’Riley played on "From the Top," which is heard on more than 200 radio stations nationwide. These pieces were performed at the mid-point of the broadcasts, a required break of approximately 2 minutes during which many stations insert locally generated announcements.

According to Chris O’Riley, "It depends on one’s local station, and its own use of ‘the breaks.’ This collection serves as a fondly renewed acquaintance with some favorites of mine as well as some pieces a bit further off the beaten path. For other listeners, this is a great group of exquisite miniatures â€" a premiere entree into many new worlds."

From the Top is a creation of Concert Productions, Inc. in association with WGBH Radio Boston and New England Conservatory, its home and educational partner. Public Radio International distributes the program. From the Top receives support from the U.S. Department o! f Education, the National Endowment for the Arts, the Massach! usetts C ultural Council, as well as individuals, foundations and corporations.

Armageddon

  • When an asteroid the size of Texas is headed for Earth, the worlds best deep core drilling team is sent to nuke the rock from the inside.Starring: Ben Affleck, Steve Buscemi, Keith David, Will Patton, PeterStormare, Billy Bob Thornton, Liv Tyler, and Bruce Willis.Directed By: Michael BayRunning Time: 2 hrs. 31 mins.This film is presented in "Widescreen" format.Copyright 1999 Buena Vista Format
From the blockbuster-making team who produced and directed PEARL HARBOR and THE ROCK (Jerry Bruckheimer and Michael Bay) comes the biggest movie of 1998 -- ARMAGEDDON! Starring the explosive talents of Bruce Willis (DIE HARD), Academy Award(R)-winners Ben Affleck (GOOD WILL HUNTING) and Billy Bob Thornton (SLING BLADE), Liv Tyler (INVENTING THE ABBOTTS), Steve Buscemi (CON AIR), and Will Patton (INVENTING THE ABBOTTS), ARMAGEDDON is a meteor storm of action-adventure moviemaking that has you on the edge! of your seat forgetting to breathe! When NASA's executive director, Dan Truman (Thornton), realizes the Earth has 18 days before it's obliterated by a meteor the size of Texas, he has only one option -- land a ragtag team of roughneck oil drillers on the asteroid and drop a nuclear warhead into its core. Spectacular special effects, laugh-out-loud humor, great characters, riveting storytelling, and heartfelt emotion make ARMAGEDDON an exhilarating thrill ride you'll want to experience like there's no tomorrow.The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight c! rude, lewd, oversexed (but lovable, of course) oil drillers su! mmoned t o save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scotti! sh, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoyThe 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and! patriotic flag waving. Bay's protagonists--the eight crude, l! ewd, ove rsexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so ! blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

Body Colorz⢠Lot of 10 Double Jeweled Gem Belly Navel Rings 14g 7/16"

  • Brand New Belly Rings made by Body Colorzâ„¢
  • You will receive 10 belly rings of assorted colors (no duplicates)
  • 5mm Top Ball / 8mm Bottom Ball (Threaded interchangable tops)
  • High Quality 316L Surgical Steel
  • Standard 14 Gauge 7/16"
BELLY SPECIAL EDITION - DVD MovieFrom acclaimed director Hype Williams comes this realistic urban drama highlighted by an all-star hip-hop cast, visually dazzling cinematography and a pulsing rap soundtrack. BELLY - Blu-Ray Movie15 tracks on this CDSet of 10 Body Colorzâ„¢ brand double gem jeweled belly rings (no duplicate colors). Colors may vary from those shown in the picture.

Eagle vs Shark Movie Poster (27 x 40 Inches - 69cm x 102cm) (2007) -(Loren Horsley)(Jemaine Clement)(Craig Hall)(Rachel House)(Brian Sergent)(Joel Tobeck)

  • Eagle vs Shark Poster (27 x 40 Inches - 69cm x 102cm)
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Full Size Movie Poster; Same Size That You See In The Theater
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
EAGLE VS SHARK - DVD MovieSince the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo since Javier Bardem's p! ageboy in No Country for Old Men, the video-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. Anderson's Punch-Drunk Love, Jarrod has a dark side. Not only is he a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and a! udio commentary all contribute to the weird charm of Waititi's! first f eature. --Kathleen C. FennessySince the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo since Javier Bardem's pageboy in No Country for Old Men, the video-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. Anderson's Punch-Drunk L! ove, Jarrod has a dark side. Not only is he a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird charm of Waititi's first feature. --Kathleen C. FennessyEagle vs Shark Poster (27 x 40 Inches - 69cm x 102cm) (2007) reproduction poster print

CAST: Loren Horsley, Jemaine Clement, Craig Hall, Rachel House, Brian Sergent, Joel Tobeck, Jackie van Beek; DIRECTED BY: Taika Cohen;

The Condemned of Altona (The Norton library ; N889)

  • ISBN13: 9780393008890
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Representing her Aunt Cissy's fiancé, museum curator Prosper White, in a case of fraud, attorney and celestial advocate Brianna Winston- Beaufort hopes to settle the matter out of court. But when Prosper is murdered and Cissy's arrested for the crime, Bree will have to solve the mystery of the Cross of Justinian-an artifact of interest in both Prosper's lawsuit and Bree's celestial case-to clear her aunt's name...

An important anthology that reaffirms the classic doctrine ofsubstitutionary atonement and counters the ongoing attacks againstit.

If ever there was a time and a need for an enthusiasticreaffirmation of the biblical doctrine of substitutionaryatonement, it is now. With this foundatio! nal tenet under widespreadattack, J. I. Packer and Mark Dever's anthology plays an importantrole, issuing a clarion call to readers to stand firm in thetruth.

In My Place Condemned He Stood combines threeclassic articles by Packer-"The Heart of the Gospel"; his TyndaleBiblical Theology Lecture, "What Did the Cross Achieve"; and hisintroductory essay to John Owen's The Death of Death in theDeath of Christ-with Dever's recent article, "Nothing butthe Blood." It also features a foreword by the four principals ofTogether for the Gospel: Dever, Ligon Duncan, C. J. Mahaney, and AlMohler. Thoughtful readers looking for a compact classic on thisincreasingly controversial doctrine need look no farther than thispenetrating volume.

Victor Hugo (1802-1885) was a celebrated French novelist, poet, playwright, dramatist, essayist and statesman whose work ushered in the Romantic literary movement in France, one of the most influential movements in French ! and all European literary history. Like many of his time, Hugo! promote d the virtues of liberty, individualism, spirit and nature in rebellion of the conservative political and religious establishments of Imperial France, and eventually became known as one of the most gifted and influential writers of his time. "The Last Day of a Condemned Man" is one of Hugo's first mature works of fiction, written in 1829, and recounts the thoughts of a condemned man as he prepares for death. The short novel would later have profound influence on writers like Albert Camus, Charles Dickens and Fyodor Dostoevsky. "Claude Gueux" is a short story, written in 1834. It contains Hugo's early thoughts on society injustice, which would be refined and fleshed out over the course of a few decades, resulting in the publication of "Les Misérables" in 1862.

A man vilified by society and condemned to death for his crime wakes every morning knowing that this day might be his last. Graphically detailed, this first-person chronicle desc! ribes both the prisoner’s wretched environment and his thoughts, reminiscences, and despair at his impending doom. This edition also includes the companion pieces Â"A Comedy about a Tragedy” and Â"Claude Gueux,” a real-life account of an executed criminal in France.

"24 Hours That Changed The World: Condemned by the Righteous" is the 3rd of 7 Vooks in this series, which chronicles the last 24 hours of Jesus’ life. Throughout this series, Adam Hamilton guides readers through the important principles one should reflect on through Jesus’ journey. This Vook focuses on Jesus’ journey to the Palace of the High priest and his final imprisonment.

"24 Hours That Changed The World: Condemned by the Righteous" is the 3rd of 7 Vooks in this series, which chronicles the last 24 hours of Jesus’ life. Throughout this series, Adam Hamilton guides readers through the important principles one should reflect on through Jesus’ journey. This Vook focuses ! on Jesus’ journey to the Palace of the High priest and his f! inal imp risonment.

Representing her Aunt Cissy's fiancé, museum curator Prosper White, in a case of fraud, attorney and celestial advocate Brianna Winston- Beaufort hopes to settle the matter out of court. But when Prosper is murdered and Cissy's arrested for the crime, Bree will have to solve the mystery of the Cross of Justinian-an artifact of interest in both Prosper's lawsuit and Bree's celestial case-to clear her aunt's name...

Representing her Aunt Cissy's fiancé, museum curator Prosper White, in a case of fraud, attorney and celestial advocate Brianna Winston- Beaufort hopes to settle the matter out of court. But when Prosper is murdered and Cissy's arrested for the crime, Bree will have to solve the mystery of the Cross of Justinian-an artifact of interest in both Prosper's lawsuit and Bree's celestial case-to clear her aunt's name...

CONDEMNED AS A NIHILIST.
CHAPTER L
A GREAT CHANGE.
ALF a dozen boys were gathered in one of the studies at Shrewsb! ury. A packed portmanteau and the general state of litter on the floor was sufficient to show that it was the last day of term.
" Well, I am awfully sorry you are going, Sullen ; we shall all miss you. You would certainly have been in the football team next term; it is a nuisance altogether."
"It is a nuisance; and I am beastly sorry I am leaving. Of course I have known for some time that I should be going out to Russia; but I did not think the governor would have sent me until after I had gone through the school. His letter a fortnight ago was a regular stumper. I thought I should have had another year and a half or two years, and, of course, that is just the jolliest part of school life. However, it cannot be helped."
"You talk the language, don't you, Bullen?"
"Well, I used to talk it, but I don't remember much about it now. You see I have been home six

Table of Contents

CONTENTS; Chap p»S«; I A Great Cuano*,11; II A Cat's-paw, 33; III! A Hunting Pabtt 52; IV A Prisoner, 67; V An Old Acquaintance,! 80; VI As Escape, 104; VII The Bubiat'b Child, 123; VIII Thb Mines ott Kara, 142; IX Prison Lifjj, 163; X Phefarations fob Flight, 182; XL Afloat, 202; XII Wintki, 222; XIII Hunting}, 242; XIV This Break>up of Wikter, 262; XV Coasting, 282; XVI A Samoiede Encampment,302; XVII A Sea Fight,322; XVIII Home Again,839; 7

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimile

Appleseed Ex Machina [Blu-ray]

  • The next installment in the Appleseed franchise, Appleseed: Ex Machina,available on DVD! Produced by John Woo and Directed by Shinji Aramaki,and featuring next generation CG technology, Appleseed: Ex Machina isback bigger and badder! Based on the manga from reknown creator Shirow Masamune, in this movie,Deunan and Briareos are both partners and lovers. As members of ESWAT,the elite forces servi
APPLESEED - Blu-Ray MovieThe 2004 Appleseed feature is a reworking of the earlier video based on the manga by Masamune Shirow (Ghost in the Shell). In 2131, most of humanity has withdrawn to the glittering city of Olympus after a devastating war. When the curvaceous Deunan Knute comes to Olympus, she encounters her former comrade Briareos, now a cyborg, and the lovely android Hitomi. The fate of Hitomi, Olympus, and humanity rest on the lost "Appleseed" technology that Deunan's mother hel! ped to develop. A standard series of chases, mecha battles, and confrontations leads to a predictable ending. When the original Appleseedappeared in 1988, it felt like a summary of anime's past, while Akira pointed the way to the future. This new version feels like a mishmash of Ghost in the Shell, Akira, Jin-Roh, Evangelion, and other, more exciting works. The motion-capture CG is typically weightless, and the mecha look oddly squat. (Rated R: violence) --Charles SolomonEarth's last city, Olympus, rose from the ashes of a global war on the backs of Bioroids, artificial clones who make up half the city's population. Under the strict guidance of a supercomputer, humanity's last survivors enjoy an idyllic peace, but only on the surface Human terrorists within the military seek a return to power and clash with the government's ESWAT forces lead by the legendary soldier, Deunan Knute, and her boyfriend who is 7! 5% machine. Retrieving the Appleseed will end the conflict, ! and Deun an alone holds its secret. The outstanding feature film based on the manga by SHIROW Masamune (Ghost In the Shell), directed by Shinji ARAMAKI (Bubblegum Crisis), and produced by SORI (Ping Pong) features a soundtrack by Boom Boom Satelites, Paul Oakenfold, Basement Jaxx and more and will be available from TOFU records. The DVD will feature high quality video encoded directly from the HD master in 16:9 anamorphic widescreen with 5.1 English Dolby Digital and DTS audio as well as the original Japanese 2.0 stereo and 5.1 DTS Dolby Digital soundtracks! This DVD also features commentary from both the director and the producer!The 2004 Appleseed feature is a reworking of the earlier video based on the manga by Masamune Shirow (Ghost in the Shell). In 2131, most of humanity has withdrawn to the glittering city of Olympus after a devastating war. When the curvaceous Deunan Knute comes to Olympus, she encounters her former comrade Briareos, now a cyborg, and the lov! ely android Hitomi. The fate of Hitomi, Olympus, and humanity rest on the lost "Appleseed" technology that Deunan's mother helped to develop. A standard series of chases, mecha battles, and confrontations leads to a predictable ending. When the original Appleseedappeared in 1988, it felt like a summary of anime's past, while Akira pointed the way to the future. This new version feels like a mishmash of Ghost in the Shell, Akira, Jin-Roh, Evangelion, and other, more exciting works. The motion-capture CG is typically weightless, and the mecha look oddly squat. (Rated R: violence) --Charles SolomonWorld War III is over, and nomad soldier Duenan Knute and her cyborg partner Briareos struggle to survive in the abandoned cities and demilitarized zones of the post-war wasteland, the "Badside." Matters appear on the upswing, however, when they are found and brought to Olympus, an urban utopia and centerpiece for the rec! onstruction of civilization. Duenan and Bri join the Olympus' ! police, a force that seems hardly necessary in such a paradise. But, like in most pretty pictures, perfection is an illusion, and Olympus' peaceful facade hides a dark secret, a violent struggle between human and cyborg that could once again plunge the world into war... and genocide.The next installment in the Appleseed franchise Appleseed: Ex Machinaavailable on DVD! Produced by John Woo and Directed by Shinji Aramakiand featuring next generation CG technology Appleseed: Ex Machina isback bigger and badder!Based on the manga from reknown creator Shirow Masamune in this movieDeunan and Briareos are both partners and lovers. As members of ESWATthe elite forces serving Olympus they are deployed everywhere troublestrikes. The two fighters find their partnership tested in a new way bythe arrival of Tereus who uncannily resembles Briareos before thewartime injuries that led to his becoming a cyborg. At the same timeOlympus finds itself under a stealth attack . Cyborg terrorism deadlynano! tech zealots and rioting citizens are just some of the threats thatDeunan must contend with as she fights to save Olympus.System Requirements:Running Time: 104 minutesFormat: BLU-RAY DISC Genre: SCI-FI/FANTASY/FANTASY Rating: PG-13 UPC: 085391200666 Manufacturer No: 120066Produced by John Woo and directed by Shinji Aramaki, Appleseed Ex Machina (2007) ranks as the most elaborate, stylish, and violent of the three adaptations of Masamune Shirow's manga. When it was released in 1988, the original Appleseed felt like a summary of anime's past, while Akira pointed the way to the future. The second Appleseed (2004), also directed by Aramaki, was an unimpressive motion-capture CG feature that borrowed elements from other sci-fi anime. In this latest incarnation, Deunan, Briareos, and Tereus of the E.S.W.A.T. team are charged with preserving the peace of the city-state of Olympus, a hi-tech paradise on a largely ruined Earth. Screenwriters Kiyoto Ta! keuchi and Todd W. Russell have given the story a contemporary! twist, adding attacks by "cyborg terrorists" and an effort by the ruler of Olympus to control a world-wide satellite surveillance system. When cyborgs and human launch coordinated attacks on the government headquarters in Olympus, Deunan, Briareos, and Tereus swing into action against a mysterious enemy. The plot has little in common with the earlier films: the Appleseed technology that was at the core of the story isn't even mentioned. The look, tone, and characters in Ex Machina recall Shirow's Ghost in the Shell, rather than the original Appleseed. Not surprisingly, the elaborately choreographed fight scenes reflect Woo's signature style, with slo-mo martial-arts combat, close-ups of falling shells, dynamic camerawork, and all-out gun battles. But the weightless movements of the motion-capture characters and the limited rendering of the skin textures gives Appleseed Ex Machina the feel of an extremely elaborate computer game. Despite the limits of the! mo-cap technology, Appleseed Ex Machina is a fast-past, take-no-prisoners cinematic adventure that will delight action-movie fans as well as anime lovers. (Rated PG-13: violence, violence against women, profanity, grotesque imagery, potentially offensive religious imagery.) --Charles Solomon

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