Cemetery Junction Poster Movie UK (11 x 17 Inches - 28cm x 44cm)

• 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• Please enlarge the image in the listing before purchasing - The Amazon image in this listing is a digital scan of the poster that you will receive
• Cemetery Junction UK Style A Poster
• Packaged with care and shipped in sturdy reinforced packing material - Guaranteed Customer Satisfaction

A 1970s-set comedy centered on three upstart professional men working at an insurance company. Studio: Sony Pictures Home Ent Release Date: 08/17/2010 Starring: Ricky Gervais Emily Watson Run time: 95 minutes Rating: RRicky Gervais and Stephen Merchant, the duo behind the BBC's Office, travel back to 1973 for this serio-comic coming-of-age story. Inspired by Gervais's Reading hometown, Cemetery Junction is the type of small-minded burg Freddie Taylor (Christian Cooke, likable and at! tractive) longs to escape. Fortunately, he receives a job offer from Mr. Kendrick (a smarmy Ralph Fiennes), leading to a gig selling life insurance. His best mates, the goofy Snork (Jack Doolan) and rebellious Bruce (Tom Hughes, the film's true star), can't imagine anything more dull, but Freddie, who wants to travel the world, sees it as his way out. Kendrick pairs Freddie with Mike (Matthew Goode, great value), who proves that the nice-guy approach loses sales (Emily Watson shines as Kendrick's browbeaten wife). While Freddie pines for the boss's daughter (and Mike's fiancée), Julie (Felicity Jones), Bruce works with Freddie's father, Len (Gervais), in a factory, and tangles with the law (refreshingly, the local sergeant has a sympathetic side). If things end as one might expect, that doesn't make Cemetery Junction any less enjoyable, but it does help to explain why it didn't receive a U.S. theatrical release. By focusing on a young Brit anxious to find his place ! in the world, the directors provide a companion piece to pictu! res like Starter for 10 and An Education. Familiar or not, it's still superior to most mainstream comedies… including a few with which Gervais has been involved. A soundtrack filled with energizing glam-rock classics further elevates their efforts. --Kathleen C. FennessyCEMETERY JUNCTION - Blu-Ray MovieRicky Gervais and Stephen Merchant, the duo behind the BBC's Office, travel back to 1973 for this serio-comic coming-of-age story. Inspired by Gervais's Reading hometown, Cemetery Junction is the type of small-minded burg Freddie Taylor (Christian Cooke, likable and attractive) longs to escape. Fortunately, he receives a job offer from Mr. Kendrick (a smarmy Ralph Fiennes), leading to a gig selling life insurance. His best mates, the goofy Snork (Jack Doolan) and rebellious Bruce (Tom Hughes, the film's true star), can't imagine anything more dull, but Freddie, who wants to travel the world, sees it as his way out. Kendrick pairs Freddie with Mike (Matthe! w Goode, great value), who proves that the nice-guy approach loses sales (Emily Watson shines as Kendrick's browbeaten wife). While Freddie pines for the boss's daughter (and Mike's fiancée), Julie (Felicity Jones), Bruce works with Freddie's father, Len (Gervais), in a factory, and tangles with the law (refreshingly, the local sergeant has a sympathetic side). If things end as one might expect, that doesn't make Cemetery Junction any less enjoyable, but it does help to explain why it didn't receive a U.S. theatrical release. By focusing on a young Brit anxious to find his place in the world, the directors provide a companion piece to pictures like Starter for 10 and An Education. Familiar or not, it's still superior to most mainstream comedies… including a few with which Gervais has been involved. A soundtrack filled with energizing glam-rock classics further elevates their efforts. --Kathleen C. FennessyThis is an EXACT reproduction of a boo! k published before 1923. This IS NOT an OCR'd book with strang! e charac ters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.Cemetery Junction Reproduction Poster Print UK Style A 11 x 17 Inches - 28cm x 44cm

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Thrilla in Manila

• Officially Licensed
• Highest Quality Recording

Studio: Lions Gate Home Ent. Release Date: 12/29/2009 Run time: 100 minutes Rating: RHe rocked the sport, shook the world, and changed their lives. Now, several decades after they met in the ring, ten of the sport's finest fighters tell what it was like to battle Muhammad Ali, the man many consider the best boxer ever. This brutally honest documentary recounts Ali's incomparable journey as seen through the eyes of those who stepped through the ropes and into history. Join these respected fighters as they weigh in on "The Greatest" and pay tribute to a living legend in this powerful and unforgettable film.

WHEN WE WERE KINGS - DVD MovieDecades ago, documentary filmmaker Leon Gast attempted to complete a feature about the 1974 "Rumble in the Jungle" championship bout between boxers Muhammad Ali and George Foreman in Kinshasa, Zaire. Sundry complications, though, held up the project until its release in 1996. It was well worth the delay. From Gast's per! spective of modern history, the six weeks Ali and Foreman were! forced to spend waiting in Africa for their fight to take place now looks like an important moment in America's cultural understanding of African American roots. In a nutshell, Ali had been stripped of his heavyweight champion title because his opposition to the Vietnam War-era draft had landed him in prison. Reigning champ Foreman agreed to a Don King-promoted match in Kinshasa, but after all parties got there the fight was put off. Gast captures the charismatic Ali, in the ensuing days and weeks, going out among the people and getting to know them while the more reclusive Foreman keeps to his own company. Meanwhile, King brings over black American artists such as James Brown and the Spinners to mix it up with African musicians. The sense of excitement and connection is thrilling, as is the boxing footage of Foreman and Ali finally taking swings at one another in a titanic duel. Writers George Plimpton and Norman Mailer, each of whom was covering the fight as journalists, are on h! and to recollect the details. Whether you're a fight fan or not, this is a unique experience and a fascinating insight into America's sense of identity. --Tom Keogh Muhammad Ali. He is known as the most thrilling athlete of all time... he is known as The Greatest. The remarkable story of how he became one of the most loved, hated, intriguing, and controversial figures in American history is brought to life in the 6-hour series, Muhammad Ali: The Whole Story.

You will follow Muhammad Ali from his days as Cassius Clay growing up in Lousiville, Kentucky, to the pinnacle of his amateur career as the light-heavyweight gold medallist in the 1960 Rome Olympics. You will witness Ali's stunning victory over Sonny Liston to become the youngest Heavyweight Champion of the World and then experience his painful struggle to regain his title--a title taken from Ali because his religious beliefs precluded him from entering the Vietnam War. His is a story which fascinates b! oth sports and non-sports lovers alike.

Muhammad Ali: Th! e Whole Story contains 3 hours of exclusive footage of all Ali's greatest and most important fights. You will be ring-side for his famous battles with Ken Norton, "The Rumble in the Jungle" with George Foreman, and the "Thrilla in Manila" with Jor Frazier... it's a boxing fan's dream come true. This unique documentary chronicles the life of a man who, through his amazing athletic talent, brash and outspoken personality, courage, and personal convictions, not only changed the world of sports but the entire world around him. Muhammad Ali: The Whole Story will be one of the most talked about collector's series of all time.'Smokin' Joe Frazier and Muhammad Ali fought three times, but it was their third and final epic encounter in the searing heat of the Philippines on October 1, 1975, that cemented
their rivalry and ended so dramatically that it continues to
provoke controversy. Combined with electrifying archival footage and exclusive interviews, Thrilla in Manila is J! oe Frazier's story an absorbing, sad account of bitterness, religion, politics and racism, conveying both the depths of their rivalry as well as the explosive racial politics in America at the time. The pair had once been friends, with Frazier supporting Ali
when he was stripped of his boxing license for refusing to fight in Vietnam. But once Ali was back in the ring, their friendship soon turned into a vicious feud: Ali accused Frazier
of being a traitor to his people and went from an anti-war and civil rights leader to an opportunist and narcissist willing to do anything to promote himself in the spotlight.

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Supereyes A005 200X USB Digital 2.0 MP Portable Pen Mini Auto Focus Microscope Endoscope Magnifer Loupe Otoscope w/LED

• 2.0 Megapixel, Auto focus, Ø17 mm
• Magnification:1 ~ 200 times continuously
• Operating System: Windows 7/Vista/XP/2000, Mac OS × 10.5 or above, Linux
• Video:High compression, 11 hours long
• Environmental Friendly Material

Dramatization of the turbulent life of Bob Crane, popular for his role in the television program Hogan's heroes.
Genre: Feature Film-Drama
Rating: R
Release Date: 3-JUL-2007
Media Type: DVDAuto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship! with a video equipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through the power of his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerAuto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a video equipment sal! esman named John Carpenter (Willem Dafoe); Carpenter provided ! the tec hnology, and Crane (through the power of his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerAuto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a video equipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through t! he power of his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerAuto Focus features a dazzling array of self-portraits by seventy-five of the world’s foremost contemporary photographers. Photography writer and curator Susan Bright provides a clear guide through this significant and dynamic genre, showing how issues of identityâ€"whether national, sexual, racial, personal, or artisticâ€"are key to understanding the work of many of today’s leading photographers.

This lavishly illustrated, accessible survey is organized into five thematic chapters: diaristic and autobiographical images; pictures of the body; the use of ! masks and masquerade; the return to studio portraiture and the! photogr aphic album; and performance, both public and private. An informative illustrated introduction explains the history of the photographic self-portrait from the 1840s to the late twentieth century, providing an invaluable context for the recent surge in artists’ images of themselves.

From intimate images of introspection and those that consciously challenge notions of ethnicity and sexuality to dramatic, stylized photographs of dreamlike scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today.Capitalizing on his fame as the star of "Hogan's Heroes," Bob Crane dove into the freewheeling spirit of the 60s and 70s with relish, having affairs with numerous women. Eventually, Crane teamed up with video technician John Carpenter to document his exploits, an association that may very well have led to his murder in a Scottsdale, Arizona motel room in 1978, which remains officially unsolved to this day.*Amplification ! Factor: 1 ~ 200 times(adjustable)
*Operating System: Windows 7/Vista/XP/2000, Mac OS × 10.5 or above, Linux
*Image Sensor:2.0 MP (interpolated to 5 MP)
*Focusing Auto focus + Manual focus from 10 mm to 500 mm
*Interface USB 2.0
*Max Size: 126 mm
*Light Sources: LED illumination (adjustable by control wheel)
*OSD language: English, Chinese, German, *Softeware Bundle:MicroCapture with measurement and calibration function
*For Mac, please use Photo Booth or Facetime to open it. No software for Mac at this time
*Photo Taken by the software and hardware
*Photo Capture Resolution: 1280 x 960, 960 x 720, 640 x 480, 320 x 240
*Photo Format:JPGE
*Video:High compression
*Video Capture Resolution:320 x 240
*Video Format:WMV
*Display Speed:Maximum 30 f/s

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Best in Show

• The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives -- the Mayflower Dog Show.Running Time: 89 min. System Requirements: Starring: Jennifer Coolidge, Christopher Guest, John Michael Higgins, Michael Hitchcock

A blue ribbon look at dog show participants and the pooches who love them.Christopher Guest, the man behind Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows. Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in ! front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format of Spinal Tap and Guffman, Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script, Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a t! estament to both the talent of the actors and Guest's discern! ing eye. --Bret Fetzer

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Dans Paris

• Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he

Paul, depressed from his recent break-up with Anna, returns home to Paris and moves back in with his divorced father and amorous younger brother, Jonathan. While his carefree sibling and doting father try in vain to cheer him up, a visit from his mother seems to be the only thing that brings him joy. When Paul is then left in the house to brood and talk to one of his brother's girlfriends, he begins to realize that while things haven't gone according to plan, one can always find something to live for.

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Deep Blue Men's Seadiver1kBlk Sea Diver 1k 1000 Meter Dive Watch

• Automatic movement 21 jewels
• Professional dive watch
• Helium release valve
• Superluminova glow
• Water-resistant to 3280 feet (1000 M)

Pro Seadiver 1k - this is your perfect dive watch - rugged enough to handle 1000 meters water resistance and stylish enough for daily use.1000 Meters AISI 316L stainless steel divers watch. Miyota Japanese 8205 21 Jewel D/D automatic movement, 45 hour power reserve, bilingual weekday (english/spanish) sapphire crystal, superluminous filled hands and dial marking, triple o-ring crown and double o-ring case back. Manual helium valve (for saturation diving), 316L full solid steel band with diver extension clasp. Watch width is 46 mm (crown and extension not measured) length is 52.5 mm, rotating bezel is 43 mm total height is 14 mm weight is 220 gm.

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Yu-Gi-Oh! - Fabled Krus - Hidden Arsenal 3 - #HA03-EN002 - 1st Edition - Secret Rare

• A single individual card from the Yu-Gi-Oh! trading and collectible card game (TCG/CCG).
• This is of Secret Rare rarity.
• From the Hidden Arsenal 3 set.
• You will receive the 1st Edition version of this card.

Yu-Gi-Oh! is a strategic trading card game in two players Duel each other using a variety of Monster, Spell, and Trap Cards to defeat their opponent's monsters and be the first to drop the other's Life Points to 0.

Card Name: Fabled Krus

Card Type: Effect Monster

Card Number: HA03-EN002

Set: Hidden Arsenal 4

Attack/Defense: 1000/800

Attribute: Light

Level: 2

Monster Type: Fiend

Passcode: 19439119

Card Text: When this card is discarded to the Graveyard, select 1 Level 4 or lower "Fabled" monster in yo! ur Graveyard, except this card, and Special Summon it.

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TCM Greatest Classic Films Collection: Murder Mysteries (The Maltese Falcon / The Big Sleep / Dial M for Murder / The Postman Always Rings Twice 1946)

• THE MALTESE FALCON Some high-living lowlifes want to get their sweaty hands on a bejeweled falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why and who ll take the fall for his pertner s murder. Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr. co-star in a crackling masterwork directed and written for the screen by John Huston.THE BIG SLEEP (1946) L.A. private eye Phi

First, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording! devices and on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam ! Chomsky, and Hollywood types, like J.J. Abrams, who created Lost, and Quentin Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyFirst, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording devices and ! on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam Chomsky, and ! Hollywood types, like J.J. Abrams, who created Lost, an! d Quenti n Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyOscar nominated, boundary pushing director Morgan Spurlock's POM Wonderful Presents: The Greatest Movie Ever Sold that looks with humorous insight into the world of product placement and marketing. Providing the soundtrack to this insightful and humorous documentary are a wide array of artist, including two originals tracks recorded specifically for the soundtrack, a spoken word piece from director Morgan Spurlock and a track entitled "The Greatest Song I Ever Heard" by the band OK Go, who isn't shy about their associations ! with brands and product placement.

The fascinating tale of Kubrick’s unfilmed masterpiece

Now available in an unlimited, single-volume edition!

For 40 years, Kubrick fans and film buffs have wondered about the director's mysterious unmade film on Napoleon Bonaparte. Slated for production immediately following the release of 2001: A Space Odyssey, Kubrick’s "Napoleon" was to be at once a character study and a sweeping epic, replete with grandiose battle scenes featuring thousands of extras. To write his original screenplay, Kubrick embarked on two years of intensive research; with the help of dozens of assistants and an Oxford Napoleon specialist, he amassed an unparalleled trove of research and preproduction material, including approximately 15,000 location scouting photographs and 17,000 slides of Napoleonic imagery. No stone was left unturned in Kubrick's nearly-obsessive quest to uncover every piec! e of information history had to offer about Napoleon. But ala! s, Kubri ck’s movie was not destined to be: the film studios, first M.G.M. and then United Artists, decided such an undertaking was too risky at a time when historical epics were out of fashion.

TASCHEN’s tribute to this unmade masterpiece makes Kubrick’s valiant work on "Napoleon" available to fans for the first time. Based on the original 2009 limited edition which featured ten books hidden inside of a carved out reproduction of a Napoleon history book, this publication brings all the original elements together in one volume. Herein, all of the books from the original edition are reproduced in facsimile: correspondence, costume studies, location scouting photographs, research material, script drafts, and more. Kubrick’s final draft is reproduced in its entirety.

The text book features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, an essay by Jean Tulard on Napoleon in cinema, ! and a transcript of interviews Kubrick conducted with Oxford professor Felix Markham. The culmination of years of research and preparation, this unique publication offers readers a chance to experience the creative process of one of cinema’s greatest talents as well as a fascinating exploration of the enigmatic figure that was Napoleon Bonaparte.

*Includes access to searchable/downloadable online research database: Kubrick's complete picture file of nearly 17,000 Napoleonic images*

THE MALTESE FALCON Some high-living lowlifes want to get their sweaty hands on a bejeweled falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why â€" and who’ll take the fall for his pertner’s murder. Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr. co-star in a crackling masterwork directed and written for the screen by John Huston. THE BIG SLEEP (1946) L.A. private eye Philip Marlowe (Humphrey Bogart) takes on a blackmail caseâ€! ¦and wears out his gumshoes trailing murderers, nightclub rogu! es, the spoiled rich and more. Lauren Bacall joins Bogart under Howard Hawks’ brisk and atmospheric direction of an ace adaptation of Raymond Chandler’s novel. DIAL M FOR MURDER Alfred Hitchcock’s screen version of Frederick Knott’s stage hit casts Grace Kelly, Ray Milland and Robert Cummings as points of a romantic triangle. She loves Cummings; her husband Milland plots her murder. But when he dials a Mayfair exchange to set the plot in motion, his right number gets the wrong answer! THE POSTMAN ALWAYS RINGS TWICE (1946) Based on the novel by James M. Cain (Double Indemnity, Mildred Pierce), this quintessential film noir stars John Garfield and Lana Turner as illicit lovers who botch a first attempt to bump off her husband, pull it off and betray each other at trial. Amorous attractions never proved so fatal as in this steamy, stormy classic.

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